
Sameer is signed as the male lead in a film and friend Tina (Genelia D’Souza) is selected as the choreographer on the same project. The characterizations kinda remind of Naach ; Ram Gopal Varma’s film on dance, if you have heard of it by any chance. Both homeless and jobless now, Sameer sleeps in his car (yes, he could afford one after doing one lungi ad) and works as a dance teacher in a school.
The film starts on a promising note with smoothly synchronized opening credits but by its sixth scene you sense where it’s heading. The screenplay by Ken Ghosh and Nupur Asthana is conventional to the core, has predictable plot-points and lacks any dramatic graph. Ken Ghosh’s direction lacks as much conviction as his writing and it’s easy to comprehend how he hurries and fabricates the storytelling in the second half.
The story had enough scope to be humourous but the treatment is lame and laughable. Sameer’s training and team-building sessions with the school kids is rushed through a transition song and does not contribute to the central plot in any way. Though Shahid and Genelia make a cute couple on screen, their chemistry is concocted at the same dull and dreary speed with which Genelia rides her two-wheeler in those two hilarious scenes of the film. Sadly by the time she picks up pace in the climax, it’s a bit too late.
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